Baroque Painters

Rembrandt was a Dutch printmaker, painter, and draughtsman. A master in three major art media, Rembrandt is widely considered the most important visual artist in Dutch art history and one of the greatest of all time. He is also considered the greatest etcher in the history of printmaking. His life and work inspired several films, including the 1936 movie Rembrandt.

Johannes Vermeer was a Dutch painter renowned for his use of light in paintings. Although he did not achieve fame during his lifetime, Vermeer's works gained popularity in the 19th century. Today, Vermeer is often counted among the greatest painters of the Dutch Golden Age. Over the years, Vermeer's work has inspired artists like Wilhelm Hammershoi and Thomas Wilmer Dewing.

Peter Paul Rubens is considered the most influential artist of the Flemish Baroque tradition. He lived during the Dutch Golden Age. His style of art emphasized movement, color, and sensuality. He painted altarpieces, portraits, landscapes, and history paintings and also drew cartoons for the Flemish tapestry workshops. He was a classically educated humanist scholar as well.

Anthony van Dyck was a Flemish Baroque artist who started painting at an early age before going on to become the leading court painter in England. Although he is best remembered for painting the aristocracy, van Dyck also painted biblical and mythological subjects. In 1632, Anthony van Dyck received a knighthood from Charles I.

The founder of the French Classical tradition, painter Nicolas Poussin was initially influenced by Venetian art but later deviated to antiquity. Most of his paintings showcased historical, mythological, biblical elements but some were also inspired by landscapes and poetry. The Death of the Virgin remains one of his best-known works.

Born to a schoolteacher and part-time painter father, Dutch painter Carel Fabritius learned painting from Rembrandt. A pioneer of the 17th-century Delft movement, he died in the deadly 1654 Delft gunpowder magazine explosion that ravaged most of the city and almost all his works. The Goldfinch remains his best-known work.

Eighteenth-century Italian painter Giovanni Battista Tiepolo was a significant figure of the Rococo movement. Son of a shipping merchant, Tiepolo gained fame with his iconic creations such as The Sacrifice of Isaac. He was determined he wouldn’t leave Venice and often sent his paintings abroad instead of traveling to paint.

Born to a tailor, Annibale Carracci set up a painters’ studio named Accademia degli Incamminati with his brother and cousin, thus establishing the famous Carracci family of painters. A significant figure of the Baroque movement, he is remembered for his iconic works such as Domine, Quo Vadis?

Jusepe de Ribera was a Spanish-Valencian Tenebrist painter and printmaker. He was also called Lo Spagnoletto ("the Little Spaniard") by his contemporaries. Little is known about his early life, though it is believed he studied at the Academy of Saint Luke. He spent several years of his career in Italy and was a leading painter in Naples.

Baroque painter and poet Salvator Rosa was born near Naples, to a land surveyor father, who wanted him to become a priest or a lawyer. However, Rosa deviated to art. Initially devoted to landscapes, he later focused on religious art. He is remembered as a pioneer of the Neapolitan school.

Spanish Baroque painter and the president of the Sevilla Academy, Juan de Nisa Valdés Leal is remembered for his masterpieces such as St. Andrew, Vanitas, and La Vírgen de los Plateros. Though initially characterized by his use of vibrant colors, he later dealt with macabre themes and violence.

Renowned Spanish Baroque painter Juan Carreño de Miranda had been the court painter of King Charles II. His frescos and oil paintings of religious scenes, such as Founding of the Trinitarian Order, depict a balanced combination of light and shadow. His portraits of the royal family are rich in their accuracy.

Born in Mexico, Baroque painter Cristóbal de Villalpando created masterpieces that still adorn Mexican cathedrals. Much of his work, such as Triumph of the Eucharist, was influenced by Peter Paul Rubens and his techniques of brushwork and color. He also drew from Mannerism and created a distinct local Mexican style.

Tomioka Tessai was the pseudonym for Yusuke, a popular painter and calligrapher in imperial Japan. He was one of the first major artists of the Nihonga style.  As a young man, he was taken in as a protege by the Buddhist poet and nun Ōtagaki Rengetsu. He later opened a school and also did some work for the Meiji government. 

The son of Portuguese sculptor Faustino Coello, Spanish Baroque painter Claudio Coello is regarded as the last of the great masters of the 17th-century Madrid school. His Adoration of the Holy Eucharist, which adorns the El Escorial, is one of his masterpieces. He was patronized by Charles II.

One of the first artists who employed the techniques of the Italian new realism, Spanish Baroque painter Francisco Ribalta specialized in painting religious subjects. He was also the pioneer of tenebroso, or paintings focusing on darkness, in Spain. His masterpieces include Christ Embracing St. Bernard and Nailing to the Cross.

While he initially studied philosophy and literature, Alfonso Pérez Sánchez later also learned film direction. Apart from teaching at the Universidad Autónoma de Madrid, the Spanish art historian also served as the director of the Museo del Prado. He organized exhibitions and was also part of a ministry of culture commission.