Thomas Tallis Childhood & Early Life
Not much is known about Thomas Tallis’early life but certain historical evidences suggest that he was perhaps born in the early 16th century, towards the end of the reign of Henry VII. Though nothing can be said definitively about his date of birth, some music history scholars have inferred it to be somewhere around 1505 A.D. Very little is known about his early inspirations and musical studies. However, it is believed that that he was probably a choirboy or child of the chapel royal St. James's palace, the same singing establishment which he later went to as a man.
Tallis embarked on a musical career in 1532, when he was appointed as an organist at the Benedictine Priory in Dover which is now known as the Dover College. He then went to London where he was appointed as an organist at St Mary-le-Hill in Billingsgate, London and then in Waltham Abbey in London, until it was dissolved during the reign of Henry VIII in 1540. Tallis, then jobless, started looking for another appointment which he found in 1541 when he was offered the job of a lay clerk at the Canterbury Cathedral. Later in 1543, he was appointed as a Gentleman of the Chapel Royal which marked the real inception of Tallis’s musical career. He continued singing with the Chapel Royal, played the organ, assisted in running the choir and continued to compose. In 1575, with William Byrd, Tallis secured a monopoly on printing music and music paper in England. He continued to offer his services to Chapel Royal until his death in 1585, serving four monarchs in his lifetime starting from Henry VIII through Edward VI, Mary Tudor and finally Elizabeth I.
Tallis was granted a lease on a manor in Kent which generated a handsome annual income during the reign of Queen Mary. Later, he and William Byrd were also granted a 21-year monopoly for polyphonic music, and a patent to print and publish music, by Queen Elizabeth in the year 1575. He was a gifted composer and composed music in several languages such as English, Latin, French, Italian and even some of the other languages as long as they served for music in the Church or chamber. He was also awarded the privilege to print music in any language. He, along with William Byrd, owned the right to use the kind of paper that was used in printing of musical compositions.
Throughout his career as an organist and composer serving successive monarchs, Tallis quite successfully kept himself aloof of religious controversies which were so prevalent in those days though, he and William Byrd, remained devoted and "unreformed Roman Catholic". Tallis had the gift of adapting his style of compositions to cater to the vastly diverging demands of the monarchs whom he served.
Tallis always succeeded in leaving a distinctive impression on his listeners which placed him above all other contemporary composers of his time such as Christopher Tye and Robert White. His musical virtuosity also extended to the field of teaching and he offered music lessons to not only of William Byrd, but also to Elway Bevin, an organist of Bristol Cathedral and gentleman of the Chapel Royal.
During the later years of his life, Tallis's experiments with musical compositions became somewhat unusual. He concentrated on Liturgy from where he stated to draw his texts and wrote for the worship services in the Chapel Royal.
Somewhere around 1552, though nothing can be said definitively, Tallis married Joan. The couple apparently had no children. He might have spent the later phase of his life in Greenwich, possibly close to the royal palace. However, according to local sources, he is said to have lived on Stockwell Street.
It is believed that Thomas Tallis died peacefully in his house, probably in Greenwich in 1585 A.D. According to most historians, his date of death is said to be 23rd of November. He was buried in the chancel of the parish of St Alfege's Church in Greenwich. In 1720 the Chapel was destroyed and none of the memorials survived.
- Nine psalm chant tunes
- Spem in alium
- Sacrum convivium
- Lamentations of Jeremiah