At 15, Green started playing music professionally. He initially played in the band called, ‘Bobby Denim and the Dominoes’ and performed pop chart covers and rock ‘n’ roll standards with the band.
Green later joined a rhythm and blues outfit the muskrats and thereafter a band called ‘The Tridents’. He played bass for the band but in 1966, he was hired as lead guitarist in Peter Bardens’ band, ‘Peter B’s Looners’.
Green started to gain popularity in the music circuit and he was invited to fill in for Clapton in ‘John Mayall & the Bluesbreakers’ for three of their concerts. When Clapton left the band, he became the full-time member.
In 1967, his recording debut released with ‘John Mayall & the Bluesbreakers’, titled ‘A Hard Road’. It featured his own compositions like, ‘The Same Way’ and ‘The Supernatural’. Around this time, he gained the nickname ‘The Green God’.
He decided to form his own blues band and assembled a bunch of musicians. The band was named ‘Peter Green’s Fleetwood Mac featuring Jeremy Spencer’ and included ex-Bluesbreaker Mick Fleetwood on drums and Jeremy Spencer on guitar.
Within a month of their formation the band played at the Windsor National Jazz and Blues Festival in 1967, which led to their signing to Mike Vernon’s Blue Horizon label. Soon ex- Bluesbreakers' bassist John McVie joined the band.
From 1968, Green increasingly started contributing more and more as a writer for the band and made many original compositions. Their studio album, ‘Mr. Wonderful’ was released and Green’s ‘Black Magic Woman’ topped the charts.
More of his singles started to hit the chart in 1969, like, ‘Albatross’, ‘Oh Well’, ‘Man of the World’ and ‘The Green Manalishi’. Band’s next album, ‘Blues Jam in Chicago’ was recorded at the Chess Records Ter-Mar Studio, Chicago.
In the same year, they signed a deal with Warner Bros. Records and released ‘Then Play On’. The album featured band’s new guitarist Danny Kirwan; it was because Spencer declined playing on any of Green’s original compositions.
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By 1970, Green’s state of mind started to change and his band mates recognized it. He started writing very sad lyrics like, ‘Man of the World’ and took large doses of LSD. He left ‘Fleetwood Mac’ later that year.
After leaving his original band, he performed at the Bath Festival of Blues and Progressive Music with John Mayall, Rod Mayall and Larry Taylor. He also recorded a jam session, ‘The End of the Game’, during the same time.
In 1971, he reunited with Fleetwood Mac for a brief time for their USA tour under the different name, ‘Peter Blue’. He also recorded two tracks for the album, ‘Juju’ but his mental health was increasingly deteriorating by this time.
Soon Green was diagnosed with schizophrenia and through the rest of the 1970s he underwent psychotherapies and electroconvulsive therapies. In 1977, he was arrested for threatening his accountant with a shotgun.
By 1979, with the help of his brother Michael, Green started to resurface on the professional scene and signed with Peter Vernon-Kell’s PVK label. He also made an appearance on Fleetwood Mac’s ‘Tusk’.
He made contribution to Mick Fleetwood’s album, ‘The Visitor’, specifically to the songs ‘Rattlesnake Shake’ and ‘Super Brains’, in 1981. He also recorded sessions with various other artists like, Katmandu, Ray Dorset, Vincent Crane, Len Surtees, etc.
In the late 1990s, he formed, with Nigel Watson and Cozy Powell, ‘Peter Green Splinter Group’ and the group released albums like, ‘Soho Session (1998)’, ‘Hot Foot Powder (2000)’, ‘Blues Don’t Change (2001)’, ‘Reaching the Cold 100 (2003)’, etc.
In 2004, Green left the group and moved to Sweden, and later joined ‘The British Blues All Stars’ to perform in one of their tours. But the tour got cancelled and he started to go through tough time due to his medication.
A BBC Four documentary, ‘Peter Green: Man of the World’, produced by Henry Hadaway, was released in 2009. He formed the band ‘Peter Green and Friends’ this time and toured with them to Ireland, Germany, England and Australia.