Birthday: October 22, 1925
Quotes By Robert Rauschenberg
Died At Age: 82
Sun Sign: Libra
Born in: Port Arthur, Texas
Famous as: painter
Spouse/Ex-: Susan Weil (m. 1950–1953)
father: Ernest R. Rauschenberg
mother: Dora Carolina
siblings: Janet Begneaud
Died on: May 12, 2008
place of death: Captiva, Florida, United States
Diseases & Disabilities: Dyslexia
U.S. State: Texas
awards: 1993 - National Medal of Arts
One of the pioneers in the development of pop art in the 1960s, the renowned artist Robert Rauschenberg was known for his artistic innovations and use of unconventional methods in the creation of the works of arts. He was a painter, graphic artist and a sculptor best known for his “combines” which were combinations of both paintings and sculptures. He is credited with coining this term to describe his own creations that were composed of paintings attached to normal everyday items like photographs, clothing, and other three dimensional objects. He tried to bring together art and everyday life through his combines. The talented artist was also skilled in photography, printmaking and papermaking. He credited his painting instructor at the Black Mountain College, Josef Albers for having influenced his paintings, albeit indirectly. Albers was very strict and expected his students to follow the conventional rules of art; Robert decided to do just the opposite—he revolutionized the way works of art were created in the America of the 1960s. Along with painter Jasper Johns, he is credited to have contributed immensely to pop art in America through his Neo-Dadaist approach. This quirky artist was known to create combines from trash and other waste products he would collect from the roadside!
Childhood & Early Life
He was born as Milton Ernest Rauschenberg to Dora Carolina and Ernest R. Rauschenberg. He was of mixed ancestry.
Artistically inclined from an early age, he studied at the Kansas City Art Institute and later went to the Academie Julian in France. In 1948 he went to the Black Mountain College in North Carolina.
He joined the Art Students League on New York in 1949 and studied with Vaclav Vytlacil and Morris Kantor till 1952. There he became acquainted with artists Knox Martin and Cy Twombly.
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He was an unconventional artist from the very beginning. He held his first solo show in 1951 at the Betty Parsons Gallery. The same year he also started making what he called the “White Paintings’ which appeared to be plain white canvas. He also made “Black Paintings” which were single colour works.
He began working on the “Red Paintings” by 1953-54. This series was created using multiple kinds of red paint applications to a canvas to which materials like wood, nails, newspaper clips, etc. were attached.
During the 1950s, he developed a unique art form which he called the “combines”. He collected trash and other waste materials from the streets and integrated them into his work. He wanted to give new meanings to already existing, “normal” things.
His combines blurred the boundaries between the works of sculpture and paintings by merging them together. His works from 1954 to 1962 fall under this category.
One of his first combines, ‘Bed’ which he created in 1955 was simply made by dripping red paint over a quilt. Art critics regarded the work to a symbol of violence and rape.
Initially critics tried to decipher his combines based on their shape, colour, texture, etc. but over time it became increasingly difficult to decode the hidden symbolic messages in his art work.
Starting from the early 1950s he designed sets and costumes for Merce Cunningham, Paul Taylor and Trisha Brown. He was part of the radical theatre experiments during the 1960s.
‘Life’ magazine commissioned him to visualize a modern inferno in 1965. He included all the horrors of wars, racial violence, neo-Nazism and ecological disasters in his art work.
Throughout the 1970s and 1980s he continued his experimental works. He was highly intuitive and unconventional. Several career retrospectives were organized over these decades including the ones held by National Collection of Fine Arts and Solomon R. Guggenheim Museum.
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He announced his Rauschenberg Overseas Culture Interchange (ROCI) at the United Nations in 1984. This led to a seven-year long tour covering ten countries including Mexico, Chile, Tibet, Japan, Cuba and Malaysia where he left pieces of his work to encourage world peace.
He created the Robert Rauschenberg Foundation (RFF) in 1990 to promote awareness about issues regarding environment, humanitarianism, and world peace. He also set up Change, Inc. to provide grants to visual artists in dire financial conditions.
He is best remembered for ushering in the pop artist movement of the 1960s with Jasper Johns. He developed a new art form, the “combine” which includes unconventional everyday items like wheels, pins, clothing, paper cuttings, etc. incorporated into paintings.
Awards & Achievements
In 1993, he received the National Medal of Arts.
He was presented with the Leonardo da Vinci World Award of Arts in 1995 in recognition of his more than four decades of contribution to meaningful art.
Personal Life & Legacy
He married fellow artist Susan Weil in 1950 and had a son the next year. The couple divorced soon after in 1953.
He was reported to have had relationships with the artists Cy Twombly and Jasper Johns.
He died of heart failure in May 2008, aged 82. A memorial exhibition was held at the Guggenheim Museum on 22 October 2008 on the occasion of what would have been his 83rd birthday.