Famous Italian Renaissance Painters

Widely regarded as one of the greatest painters ever, Leonardo da Vinci was an extremely talented polymath. While his work The Mona Lisa became the most famous portrait, his drawing The Vitruvian Man became a cultural icon. A man well ahead of his time, Leonardo is also known for his notes on science and invention.

Italian sculptor, painter, architect, and poet Michelangelo was a prominent figure of the High Renaissance. He is credited to have influenced the Western art in unprecedented ways. He is widely regarded as the greatest artist of his age and one of the greatest artists of all time. He was equally revered and respected as an architect.

Giorgio Vasari was an Italian architect, painter, writer, engineer, and historian. He is best remembered for his work The Lives, a series of artist biographies, which is regarded as the art-historical writing's ideological foundation. Vasari is also credited with the formulation of the term Renaissance as it was first suggested by Jules Michelet based on Giorgio Vasari's text.

Tintoretto, also known as Il Furioso, was a significant painter of the Venetian school and is remembered for his phenomenal speed of painting, his long strokes, and his depiction of humans in motion. His most notable works, such as Susanna in the Bath, embody Renaissance mannerism.

Masaccio was a Florentine artist best remembered for his skills at recreating lifelike figures and imitating nature. Widely regarded as the best painter of his generation, Masaccio employed foreshortenings and nudes in his paintings, which were rarely seen at that time. He is also considered the first great Italian artist of the Quattrocento period.

Giovanni Bellini was an Italian painter who hailed from the famous Bellini family of painters. Giovanni is credited with revolutionizing Venetian painting, shifting it towards a more coloristic and sensuous style. Best remembered for creating paintings with detailed shadings and rich tints, Giovanni's work had a strong influence on the Venetian painting school.

Andrea del Verrocchio was an Italian sculptor, painter, and goldsmith. He was a master of an important workshop in Florence and his pupils included famous men like Leonardo da Vinci, Lorenzo di Credi, and Pietro Perugino. As a sculptor, he is best known for his masterpiece, the Equestrian statue of Bartolomeo Colleoni in Venice. 

Lorenzo Ghiberti was a Florentine Italian artist considered a major figure of the Early Renaissance. He is best known as the creator of the bronze doors of the Florence Baptistery, also called the Gates of Paradise. He was a trained goldsmith and ran a famous workshop for metal sculpture. His son Vittorio followed in his footsteps as a goldsmith. 

Italian painter and architect Raphael, along with Michelangelo and Leonardo da Vinci, formed the great trio who ushered in the High Renaissance. He is mostly known for his frescoes of the Vatican Palace and The School of Athens. He also designed the Chigi Chapel, among other structures in Rome.

Paolo Uccello was a 15th-century Florentine painter and mathematician. He worked in the Late Gothic tradition and had a style best described as idiosyncratic. As a young man, he was apprenticed to the famous sculptor Lorenzo Ghiberti, with whom he collaborated on his later works. His paintings representing the battle of San Romano are considered his best. 

Pontormo was an Italian Mannerist painter and portraitist from the Florentine School. His style was remarkably different from what characterized the art of the Florentine Renaissance. Orphaned young, he struggled for several years before he was able to establish his painting career. He painted many altarpiece canvases and frescoes, of which only a few survive today. 

Best remembered for his Treatise on Architecture, Filarete was a Florentine architect, sculptor, medalist and author. Born Antonio di Pietro Averlino, he was given the name Filarete, meaning lover of excellence, possibly by his teacher Lorenzo Ghiberti. Later, he began working independently, building the bronze central doors of Old St. Peter’s Basilica in Rome and Ospedale Maggiore in Milan.

Chiefly remembered for authoring Il libro dell’arte, Cennino Cennini, a Florentine painter of late Gothic period, followed the tradition of Giotto di Bondone. In this book, which he possibly wrote as a guide book, rather than a practical handbook for apprentice painters, he discusses in details about methods, techniques, and attitudes of medieval artists, providing an insight into their world.