Born In: Târnăveni, Romania
One of prominent figure among the avant-garde and instrumental music composers of 20th century, Gyorgy Sandor Ligeti engraved a respectable place for himself in the realm of music. A victim of world war, Hungarian revolution and soviet regime that followed, his creativity was hampered many a time. Facing some of the harshest realities of life, he even had to spend some of his time in Nazi concentration camp and lost his father and brother as an aftermath of Nazi regime. The insecure political scenario during the soviet regime also resulted in some of his works not seeing the light. However, nothing can stop the outburst of a talent and so, Gyorgy Ligeti became popular with his amazing works. Attaining an Austrian citizenship, his career flourished making him the developer of a music style called ‘micro polyphony’ or ‘sound clusters’. He produced some of his ground-breaking works in the background of a tumult that hit Europe. Even years after his death, his songs are sang and heard in the classical music circles, which is a testimony to his amazing talent.
Also Known As: György Sándor Ligeti
Died At Age: 83
Spouse/Ex-: Brigitte Low (m. 1949–1952), Vera Ligeti (m. 1957–2006)
father: Dr. Sándor Ligeti
mother: Dr. Ilona Somogyi
children: Lukas Ligeti
Born Country: Romania
place of death: Vienna, Austria
Ancestry: Romanian Hungarian, Hungarian Austrian
Notable Alumni: Franz Liszt Academy Of Music
Grouping of People: Jewish Musician
education: Franz Liszt Academy Of Music
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However, two years later, he was recruited for military service. By this time, Hungary had already become an ally of Nazi Germany, which took over a large part of Transylvania. Jews were banned from taking military services and he was send to a concentration camp where the detainees handled dangerous explosives. As the war neared its end, he escaped from the camp and went back to Cluj where he saw the ancestral home occupied by others. He came to know that his parents and brother were deported to the notorious Auschwitz concentration camp in Poland. Only his mother came back from the camp.
In Vienna, Ligeti soon established a contact with the elite of the western European musical avant-garde, including Karlheinz Stockhausen, Herbert Eimert, and Gottfried Koenig. Ligeti’s music also witnessed a sudden change of orientation while he was working on ‘Pièce électronique’ (1957-1958). In 1957, Eimert invited Ligeti to work at West German radio electronic studios of Cologne. By 1959, he began giving lectures at Darmstadt summer sessions and from 1961, he taught composition at Stockholm Academy of Music as a visiting professor. Then, he moved to West Berlin for a year, and then to Stanford University in California as a composer in residence. It was at this time that he introduced ‘chromatic cluster technique’. In 1973, Ligeti settled in Hamburg, Germany as he was joined the Hamburg Musikhochschule asprofessor of composition. He then became member of Royal Swedish Academy of Music as well as the West Berlin Academy of Arts. He was also honoured a German decoration for merit and the Bach Prize of the city of Hamburg in 1975. He also wrote of works in varied formats, of which, the comic opera ‘Le Grand Macabre’ cited as the best.
His mother died in 1982. The same year witnessed the return of Ligeti’s health after a period of five years sickness. Ligeti retired from his post as professor of composition from the Hamburg Music Academy in 1989. In 1990s, he spent much time on the aforementioned second version of Le Grand Macabre. During the time span of 1985 to 2001, Ligeti completed of ‘three books of Etudes for piano. Other important works of this era included Nonsense Madrigals (1993), Viola Sonata (1994), Hamburg Concerto (1998–99). The work was revised in 2003 and was dedicated to Marie Luise Neunecker. Ligeti’s last works were the ‘Hamburg Concerto’ for horn and chamber orchestra.
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